Wednesday, October 8, 2008
Bacon's Rebellion
Wednesday, October 1, 2008
American Tobacco and European Consumers
Tuesday, September 30, 2008
Rhetorical analysis
Author: Though the document doesn't directly state an author it is infered that is is written by members of the British Council and King James. This is supported by the first parargraph as follows: "JAMES, by the Grace of God, King of England, Scotland, France and Ireland, Defender of the Faith, &c. WHEREAS our loving and well-disposed Subjects, Sir Thorn as Gales, and Sir George Somers, Knights, Richard Hackluit, Clerk, Prebendary of Westminster, and Edward-Maria Wingfield, Thomas Hanharm and Ralegh Gilbert, Esqrs. William Parker, and George Popham, Gentlemen, and divers others of our loving Subjects, have been humble Suitors unto us, that We would vouchsafe unto them our Licence, to make Habitation, Plantation, and to deduce a colony of sundry of our People into that part of America commonly called VIRGINIA, and other parts and Territories in America, either appertaining unto us, or which are not now actually possessed by any Christian Prince or People, situate, lying, and being all along the Sea Coasts, between four and thirty Degrees of Northerly Latitude from the Equinoctial Line, and five and forty Degrees of the same Latitude, and in the main Land between the same four and thirty and five and forty Degrees, and the Islands "hereunto adjacent, or within one hundred Miles of the Coast thereof;"
Audience: English residents in the colonies.
Tone: Proficient, this is supported by the word choice of the document and the
Purpose: Virginia’s first charter
Ethos: Imposes fear in the audience and attaks their emotions provoking them to do as they are told.
Pathos: Reverential and careful of keeping that mutual respect.
Logos: Very specific and clear in saying what needs to be understood, and sort of also a hidden motivation in making the colonists belive that thay care about them when they are only pursuading them to do what they want.
Monday, September 29, 2008
Friday, September 26, 2008
Distruction of the Indies
Wednesday, September 24, 2008
my writing philosophy
Tuesday, September 23, 2008
'English Composition as a Happening' reflection
Examples of support for this are:
"The 'teacher' speaks from his place in the front of the classroom, sheltered more than likely by the wall of his podium, while the class in the rear listens or pretends to."
"Let me be more explicit in the delineation of my goals. English Composition is a proper introduction to the possibilities of the university, a preview of what the university is about. This is actually the unadmitted, and ineffective, tradition of the course, since the written medium has been the essential vehicle of scholarly communication between members of the university, student and "teacher" alike. English Composition is what the university is about. Or should be what it should be about."
"Neither should English Composition instruct in the pleasant phrasing of nonsense. It should actually instruct in nothing, in the sense that a "teacher" reveals and a class digests. What does a "teacher" know? He is merely human."
"The goal is a class of students actively aware and participant, a class that does not swallow the "teacher's" remarks but considers them."
"To remove the "teacher's" authority. To engage the student's active participation. Fortunately, a recent art form provides a model upon which to base a reconstruction of English Composition that will attain these ends. I refer to the happening"
"students have been compulsorily miseducated for years prior to their university enrollment."
"But such a drama in the classroom happening should never take the form in which a student changes an opinion because the "teacher" disagrees with him."
"But there is yet another, and I think more important, advantage to modeling English Composition after the happening. Western education has long suffered under the delusion that scientific abstraction is the unique way to knowledge. This, unfortunately, to the neglect of the poem"
"The happening is a first step toward such a revitalizing experience. And so English Composition as a happening properly previews all that a university should be. Witness the reengagement of the heart, a new tuning of all the senses Taking the first step toward poetry"